Sami and the Magic Place

As many of you know, I don’t teach projects whether I’m teaching little kids or adults. I like to teach about the artmaking process, and I don’t focus on a product or a project. Many folks have a hard time understanding why I teach this way, so I wrote a little story that I hope shines a little light on my perspective. Sometimes we can illustrate our ideas more clearly through a story than an explanation. I hope that you enjoy the story.

Sami and the Magic Place

Like most five year old children, Sami was brimming with creative confidence. She was an artist, a singer, an actor, a dancer, an explorer, and so much more. She sang along to her favorite animated musicals, and acted out each part. She made mud pies after heavy rains, and mixed in leaves, twigs, and grass as she created her magical concoctions. She played and danced, sang and laughed.

But Sami liked drawing the best where she could create her own worlds and her own characters, and she knew she wanted to be an artist someday when she grew up. She spent countless hours drawing and coloring, as she invented stories of a brave princess who fought dragons and rode unicorns over rainbows. But she didn’t just draw the princess and her adventures, Sami drew all the cats and dogs she would some day have because having a dad who was allergic to pets meant no furry animals in the house, and she drew the houses and castles that she would some day live in. And she drew all sorts of other things — flowers and bumble bees, mermaids and pirate ships, monsters and aliens. Sami was fascinated with the marks that came out of pencils, markers, and crayons that turned into people and animals and anything that she could image.

When Sami turned six, it was almost time for her to go to school. She was so excited that for months, she kept asking her mom and dad when she would get to go. All throughout the hot months of summer she pestered her parents asking several times a day when school would start. She looked forward to going to kindergarten where not only would she meet new friends, but she could share her love of drawing and art. She looked forward to sharing her drawings of the brave princess and her drawings of flowers and cats and pirates and monsters. She just couldn’t wait.

Finally, the day arrived, and Sami went excitedly off to her first day of kindergarten. That afternoon, Sami enthusiastically recounted her first day of school to her mom from the backseat of the car, and then she shared the most exciting news of the day. 

“And, Mom, you know what? You know what, Mom?” Sami said quickly unable to hold back the gush of words.

“No. What?” her mother answered back.

“We get to go to art class once a week for the WHOLE YEAR!” Sami said wide-eyed as she clenched her hands near her chin. She was almost overwhelmed by the thought that they would get to go make art each and every week.

Sami was so excited about her first day of art class, that she could think of little else, and the night before her first class, she kept pondering all of the possible things she would make as she went to bed. It took her a little while to fall asleep, but as she drifted into sleep that night, she dreamt of the brave princess and a boat full of pirates as they danced from the tip of a crayon and drifted across a piece of paper.

The next day at school, Sami walked down the hall with the rest of her classmates and stood nervously in the hall outside of Ms. Beth’s room — the art room. Sami could barely contain her excitement, and she marveled at the brightly colored posters as she walked in and saw all manner of the amazing things on the shelves and on the counters. This was truly a magical place, Sami thought.

Sami sat attentively as Ms. Beth explained the rules and procedures of the artroom, and when it came time to make art, Ms. Beth explained that they were going to make flowers. Sami thought to herself, “Great! I love to draw flowers. I know how to draw all kinds of flowers.”

She eagerly took her piece of paper as Ms. Beth passed it out. Sami placed the paper on her table, but she noticed that there were flowers already drawn on it. As she looked around at the papers sitting in front of the other students at her table, she noticed that they already had drawings of flowers on their papers as well. In fact, everyone had the exact same drawing of flowers. Sami’s heart sank a little as she settled back into her seat and screwed up her mouth in disappointment.

Ms. Beth explained that they were going to be coloring in the flowers with crayon and that they were to color in each petal, leaf, and stem carefully trying to stay inside of the lines and to take their time. Sami brightened up as she took some crayons from the box in the middle of the table, and began coloring her flower. She wanted her flowers to be really colorful and different than everyone else’s, so she began coloring her petals with multicolored stripes. She then moved on to coloring her stems bright blue and the leaves flaming orange. She loved how vivid the colors were, but then Ms. Beth came over to the table, and paused next to Sami taking a long look at her paper.

“Now, Sami,” Ms. Beth began, “flowers don’t look like that.”

“I know,” replied Sami. “I wanted my flowers to be really bright, and I love bright colors.”

“Well, you’ll just have to start again,” said the teacher as she took Sami’s multicolored flowers away and gave her a new paper. “The stems and leaves need to be green and the petals can be bright colors but only use one or two colors on them.”

Ms. Beth walked away to another table, and Sami sank into her chair. She reluctantly pulled the new paper with the flowers that she didn’t draw closer to her, and began coloring the leaves and stems green and all of the petals pink.

When Sami’s mom picked her up that day, she noticed that Sami seemed rather quiet knowing how excited she was for her art class when she dropped her off in the morning. Her mom looked at Sami in the rear view mirror and asked, “Sami, how was your day? How was your first art class?”

From her car seat, Sami let out a sigh, and said with very little enthusiasm, “It was ok. We made flowers.”

Sami’s mom, replied, “Well that sounds good. You love to draw and color flowers.”

“Yeah, but we didn’t get to draw them,” Sami told her mother. “We got papers with flowers already drawn on them, and everyone had the same drawing, and when I started coloring mine with stripes on the petals and blue stems and orange leaves, Ms. Beth took my paper and told me I had to color the stems and leaves green and the petals with only one or two colors. Mine looked just like everyone else’s.”

“I really liked my colorful flowers,” Sami added through a pout.

“I’m really sorry to hear that,” said her mom. “You can draw all the flowers you want when we get home, and you can color them anyway that you want.”

Sami’s mood brightened a little, and she looked forward to making flowers her way when she got home.

One week later, Sami was in the hall outside of the art room. She wasn’t as excited as she was just a week ago, but she was hopeful that they would get to draw their own thing this time. Sami quickly found her seat, and Ms. Beth explained how they were going to draw cats this time. When Sami got her paper, she noticed it was blank, and her mood brightened as she thought, “Great! We get to draw our own cat!” Sami picked up her pencil and began drawing.

But then she heard Ms. Beth, say, “Now class just wait. Don’t start drawing yet. We’re going to do this together so that I can show you how to draw a cat.” Sami heard this, and her heart sank a little. She grabbed an eraser and erased the lines and shapes she had already started to draw that were starting to look like a sitting cat.

Ms. Beth stood in the front of the room near the board, and asked for everyone’s attention. She began by drawing a large oval on a piece of paper taped to the board and explained that everyone needed to do the same on their papers. Sami quickly drew her oval just like her teacher’s, and sat waiting as Ms. Beth walked around making sure that everyone had their oval drawn and helping those who were struggling. Sami sat patiently waiting and turning the eraser over and over in her hands. Finally, Ms. Beth walked up to the board and drew a circle for the head, and again explained that everyone needed to do the same. Sami drew her shape just as the teacher did and waited as Ms. Beth checked the other students.

With each new part of the cat, this process was repeated until everyone had a standing cat drawn in the middle of their paper. They had just a few minuted left to start coloring their cats, and though Sami really wanted to make her cat purple, she picked up brown crayon instead and began coloring her cat carefully.

When Sami’s mom picked her up from school that day, she seemed even quieter and more withdrawn then a week before. “Is everything ok, Sami? Didn’t you have a good day in art?”

“We drew cats,” Sami said with her chin in her chest.

“But you love to draw cats,” her mom replied.

“We had to draw the cat the way Ms. Beth drew hers, and I had to erase the one I started because I started to draw a cat sitting down, and Ms. Beth drew one that was standing up.” Sami huffed as she picked at her fingers. “She went step by step and I had to wait while she helped out a lot of the other kids. I could’ve drawn like fifty cats while I waited.”

“Well, you can draw as many cats as you want sitting or standing or running or playing when we get home,” said Sami’s mom in a cheery voice.

“Yeah. I guess so.” said Sami not feeling cheered up or like drawing any cats at all.

And so it went, week after week in Ms. Beth’s art class. Throughout the rest of the year, they did a variety of drawings and paintings, collages and sculptures. And though Sami liked using the different materials, Ms. Beth always told them exactly how to do everything. Though Sami always did her work and did it well, she was never excited to go to art class, and it didn’t seem like a magical place anymore.

The following year, Sami found herself in the hall outside of the art room as a first grader feeling nervous. She wasn’t nervous with excitement. She was nervous that things would be just like they were the previous year, and she was rather apprehensive as she made her way to her seat. The room seemed a bit different as she looked around, and as she sat down and turned her attention to the front of the room, she didn’t see Ms. Beth. Instead, a man introduced himself as Mr. James, and he explained that he was the new art teacher and that Ms. Beth had moved over the summer.

After explaining a few rules, Mr. James passed out paper and explained to the class that they could draw anything that they wanted. He told them that they could use any of the materials as he pointed to a bin in the middle of each table that had pencils, erasers, markers, and crayons. Sami looked at her paper and wearily turned it over but saw that the back was blank as well, and she raised her hand. “You mean we can draw anything that we want — anything at all?” she asked when Mr. James called on her.

“Yes. Anything that you want. You’re the artist and I want to see what you like to make as an artist,” he answered the girl, and told the class that they could begin.

Sami was a bit unsure, but picked up her pencil and tentatively started to draw a picture of the brave princess battling a lion. She kept looking around waiting for Mr. James to come over and to tell her to stop or that she couldn’t draw something or that she had to erase something, but when he did come over to the table, he didn’t tell her to stop. He only asked her to tell her about her drawing. So she told him in a timid voice, “I’m — I’m drawing a princess who is fighting a lion because the lion is trying to hurt people, and the princess is trying to stop it.”

Mr. James looked at her paper as she spoke, and then looked at her and said with a big smile, “Well, that sounds like a wonderful drawing. I can’t wait to see it when you’re all finished with it.”

Sami looked up at Mr. James a bit unsure, and said, “The thing is I don’t know how to draw a lion. I can’t remember what a lion looks like.” She looked down at her paper feeling a little ashamed, and asked, “How do you draw a lion?”

Mr. James stood up straight and rubbed his chin, and said, “You know what. I’m not sure how to draw a lion either. I’ve never really drawn one.”

“Oh!” said Sami a bit disappointed.

“But you know what?” said the teacher. “When I don’t know how to draw something, I like to look at whatever it is that I’m trying to draw. Now I don’t have an actual lion in the room that we can look at, but I do have books with pictures.”

Mr. James led Sami over to a bookshelf and took a book from a shelf labeled “Animals”, and handed it to Sami. She took it back to her seat, and Mr. James helped her look through it until they found several pages with pictures of lions. “Do you think looking at these pictures will help you draw a lion?”

Sami looked over all of the various pictures of lions from different points of view in different poses, and nodded her head as she muttered, “Yes.” She picked up her pencil and began drawing her lion. Sami felt excited as she finished drawing the princess and the lion and started to color it in. 

That afternoon from the back seat of the car, Sami hurriedly told her of the new art teacher before her mother could even ask her how art class had been. “And he let us draw anything that we wanted. And I drew the princess fighting a lion, and when I didn’t know how to draw a lion, Mr. James helped me by getting me a book with pictures of lions in it. And I colored it with whatever colors I wanted.” 

She bubbled over with creative confidence as she finished telling her mother about being an artist in art class, but she felt a little disappointed that she would have to wait an entire week before she could go back to that magical place where she could make the art that she was excited to make.

Eric's Rules!

In December 2010, I sat down and wrote the first iteration of my rules for creating. Initially inspired by a Patti Digh rant (which she included in her book Creativity is a Verb), I had begun thinking about what gets in the way of my making art. I also drew inspiration from Sister Corita Kent and Chuck Close, and I wrote a set of rules for myself. I was very blunt and honest with myself because that's what I needed then, and I find that often need that type of advice now. Over the years, I have expanded and tweaked the rules, and all of these years later, these rules still resonate with me. Perhaps they will resonate with you.

Here are my "rules" for making art and being creative. I hope that you find them useful.

Rule #1 - Show Up
Make a space and show up everyday. Get in the studio. Sit down at the dining room table. Clear off the coffee table. Pull out the journal, a small notebook, or the knitting when you have five minutes, when you’re watching TV, and when there’s nothing else to do. Show up at the page, the canvas, the hunk of clay, or the pile of fabric. You must be present to win, so show up.

Rule #2 - Sit Down
Turn off the TV. Stop checking email, your phone, and your messages. Get off of Instagram, Tik Tok, and WhatsApp. Forget about the pile of laundry that seems rather appealing, and forget about the dishes in the sink. Turn off the phone, stop texting, Facebooking, and instant messaging. Sit your butt down or go stand at the easel and start making. Start playing and making. Distractions are only a way of procrastinating, so sit down and start.

Rule #3 - Shut Up
Shut up about ideal conditions and what ifs and maybe whens. Shut up about not having the time and the energy. If it’s a priority, you do it. Plain and simple. Stop giving lip service to how much making and creating is a priority. Actions speak louder. Stop complaining, whining, and being jealous of others. Stop whining about having no creativity or no talent. You are creative and you are talented, so go make art. Stop telling yourself that you are a fraud and no one will like you or your art. Just shut up and get busy making.

Rule #4 - Ignore Everybody
Ignore what other people may think. Ignore what other people may say. A lot of people can’t accept their own creativity, and so they will not accept yours. They may be jealous of your activity. They may even say that you are wonderful and great. Ignore them. Criticism and praise can stall your work. Who cares if anyone else likes it? Stop comparing yourself to others saying how easy they have it, how naturally it comes to them, how great they are. Ignore them. It’s not a competition. They are not you, and besides they struggle just as you do. They have the same doubts and fears. Make for yourself. You are expressing yourself as honestly and truthfully as you can. And sometimes you have to ignore your partner, your kids, and your pets and lock yourself in the studio, the office, or the sewing room. They will understand if they know that this is what you need. Ignore them, but don’t neglect them.

Rule #5 - Get Over Yourself
Stop putting yourself down. Stop saying how you and your work suck. Stop reducing and minimizing yourself. You’re not terrible. Get over it. Stop pitying yourself. If you want to create, stop getting in your own way. And don’t listen to the hype. Others may say how great, how talented, how wonderful, how amazing you are. Maybe you are, but don’t let it inflate your ego. Stay humble, and always look to grow and evolve. You have a unique story to tell, so get over yourself and just tell it.

Rule #6 - Start Where You Are 
Stop going on and on about ideal conditions. Conditions will never be ideal. You seem to believe that only when you have the time, the beautiful 1000 square foot studio, the expensive set of Maimeri Blu Watercolors, the new laptop with the ultra fast processor, or the exquisite fountain pen, you’ll be able to make art, write, or create. Even if you had all that, you still need to do the work. It’s not the materials. It’s not the space or the time. It’s the making. Grab what’s at hand and make. Picasso did amazing sculptures using cardboard and paintings on newspaper. Don’t have the exquisite hand-bound, Italian journal with the leather cover, so what. Write or draw on the back of envelopes. Make do with what you have. Make and do. That’s what’s important.

Rule #7 - Work
It’s all about working and putting in the hours. It’s about the process not the product. So work in the journal, doodle, and experiment. Start something with no idea where it will lead. Work will lead to work, and the more you work, the easier it is to get to work the next time. Inertia applies to art. A body in motion tends to stay in motion. A body at rest tends to stay at rest. So get moving and working, and you’ll continue moving and working. Forget about if it’s good or bad. Suspend judgment. The more you work the sooner you’ll get onto something. There’s an estimated 20,000 pieces of Picasso’s art in the world. You might say that’s because he’s a great artist. NO! He’s great because he made 20,000 pieces of art. He worked constantly experimenting and pushing his art. Dan Eldon filled 17 hardbound journals in his short 22 years. He made his life into art. Put in the hours and you will do great things.

Rule #8 - Find Your Tribe
You can do this alone, but then you are alone. It’s hard to grow and evolve without others. Surround yourself with creative collaborators that can encourage and inspire you. Don’t compare yourself to them. Learn from them. Lean on them. Let them lift you up, and do the same for them. Artistic accomplices keep you on track. They challenge you. They support you. They point out areas to work on and ways to grow. A creative journey is best when shared. So, find a teacher, a mentor, a colleague, or a friend and start a creative tribe, but know when to ignore them and get to work.

Rule #9 - Immerse Yourself
Find artists and artwork you admire – past and present, and be inspired by their lives and their art. Find artists that do similar things as you and artists that do things that are totally different. You will learn from both. Look at the choices they have made regarding materials, imagery, and composition. Learn from and be inspired from them. Just don’t use this as an excuse to not make art as you spend hours “researching” or constantly compare yourself. Use what you learn, and make and create.

Rule #10 - Nothing is a Mistake
Everything that you do is a learning experience, so see everything as an experiment. Have fun and play. Stop judging yourself and your art. Stop comparing yourself to other artists. The inner critic is only the voice of someone who criticized you and your work long ago, and it echoes to this day. Ignore it, and create with reckless abandon. Spill your guts. Don’t tear up your work, tear pages out of your journal, or ball up the clay. Don’t throw away your art. Remember that it is about the process. Remember Picasso’s 20,000 works – they’re not all masterpieces. Keep everything as a record of your growth. Learn to let go of perfectionism. As Ken Robinson says, “If you’re not prepared to be wrong, you will never come up with anything original.”

Now go and make something!

The Wonder Full Creative

 
 

There was a time when we were genius creators, when ideas bubbled up within us, when we sang and danced, when we solved problems and explored the world, when we drew and painted and made up our own games — often all in the same day, and often all in the name of play and having fun. When we were children, our imaginations were rich, powerful, and ever-active. Ideas pinged around our brains like pinballs, and we lit up with creativity, invention, and wonder as we built worlds and told stories and believed in magic.

What happened?

Where did those daring children go who looked at the world with wide eyes — who sang silly, made-up songs — who laughed with excitement and created adventures? What happened to those individuals who overflowed with creative confidence and insatiable curiosity?

The answer is simple. That creative enthusiasm got reined in as we were forced into boxes, and the light of wonder dimmed when conformity became more important than individuality — when curiosity was replaced with certainty — when risk was ousted by comfort and fitting in. We lost so much of ourselves as we shrank to fit expectations and shut ourselves off from the wide-eyed parts of ourselves. We walled up our imaginative exuberance and stifled our impulses and closed ourselves to that ever flowing spring of creativity.

How do we rediscover that creative light — that ever flowing source of energy? How do we, once again, tap into that wonder, that sense of curiosity, that thrill of adventure?

We may not be able to run around and play and laugh and tumble and dance like so long ago, but we can reconnect with our creative selves, recover that sense of possibility, and rediscover that pure, creative energy. We can look around the world full of wonder and embrace the uncertainty and imagine a new world that only we can build.

Creative Struggles

 
 

If everyone is uniquely creative, why do so many of us not feel like we are, in fact creative? It’s in part because everyone struggles with creativity.

It’s easy to feel like creativity and magic just flow out of those artists, musicians, creators that we see in the history books or follow on YouTube and social media. They always seem to create the most incredible stuff, and we’re often left in awe at how simple it seems. And more often than not, we’re also left with a whole lot of self doubt as we wonder why it isn’t so easy or natural for us. But even our creative heroes have frequent bouts where they doubt their creativity and their capacity to create. And even if it seems like they have a handle on it now, we often don’t know or don’t see the struggle that they went through to connect with that well of creativity that is in us all. We’re just seeing their highlight reel, and we don’t know their story to creativity.

Like nearly all children, I was always drawing and creating, and I loved how I could create worlds by simply drawing lines and shapes that connected and merged into people, beasts, buildings, and so much more. I marveled at the magic that was mark making. I wasn’t any more gifted or talented than others my age. My creations weren’t those of a child prodigy gifted with creative powers beyond all comprehension. I was just a typical kid that loved to draw and make and create. I never really got a lot of encouragement from my parents and family, but then I never got any discouragement either. So, I never suffered the debilitating negative feedback that can crush young children and their creativity, but I also never got that uplifting feedback that made me feel like I could create anything. It was just part of fun and play, and I just went about my business and continued to draw and create for myself.

As I grew older, I began to become aware of the fact that I was pretty decent at this drawing thing, and then in an act of sibling rivalry, I had a bit of a watershed moment. I was in fifth grade, and my brother, who is two years older than I am, drew one of our cousins. I, who had recently begun to get the reputation as the family artist, just had to show up my brother, and I did. I drew the same cousin from the same photo, and I paid very close attention to getting the shapes of the eyes and the nose just right. I spent a lot of time working on it, and I even used crayon and mixed and blended the colors to get the appropriate skin tone and shading and to get the hair just right. When I was done, it was a pretty good likeness for a ten year old, and I got a lot of praise and compliments. I proudly gave the drawing to my cousin as a gift and cemented my reputation as the family artist.

Now praise can be just as stifling to creativity as outright scorn or discouragement because the need to please and get that praise becomes the primary objective — not the making or creating. Since I had gotten high praise for my portrait of my cousin, I set out to repeat that success over and over again. By the time I was in high school, I was thoroughly entrenched in drawing people, mostly portraits, as realistically as I could, and to me that’s what art was — drawing things as realistically as possible, and I was pretty good at it. I was also very comfortable with it, and I easily skated through my art classes through out my middle and high school years never being pushed out of that comfort zone. And even when I had that one teacher who challenged me my senior year, I resisted and wouldn’t allow myself to open to anything that was out of my comfort zone. I stayed in my lane, and did this thing that I was good at.

This continued all the way through college where I was always technically sound with my art and complimented for my good technique and craftsmanship year after year, but I graduated after four years not feeling like an artist — not feeling creative. Now I must say that I graduated with a degree in art education and not fine arts, but I don’t think that it would have made any difference. It was too easy to stay in my comfort zone, and in those four years there was just one art class that pushed me. Instead of resisting the push, I welcomed it, and looking back it was my favorite class because it was the one that challenged me the most. There was a lot of uncertainty, and I had to solve problems which meant that I had think like an artist and really tap into my creativity.

Despite this one spark of creative growth, I graduated and began my life and career as an art educator all the while feeling like I wasn’t creative at all. Even in my teaching, I felt like I was distanced from creativity, and though creativity was something that I looked for in the work of my students, I didn’t know how to get them to tap into it because I had never really learned how to tap into mine. I could teach them technique and how to use materials. I could teach them how to draw an accurate portrait or how to mix colors, but not how to creatively express themselves. Unfortunately, I most likely stifled a lot of my student’s creativity in those early years because I had them do projects where there was little room for individuality and creativity, and it’s something that I regret to this day.

But over the years, I began reconnecting to my creativity as I got deeper into my own artmaking, but it was a slow process. It was a long process, and though I turned to books and other resources about creativity, it was always talked about in nebulous ways. But I kept at it as I kept exploring my own artmaking, and with help of a couple of mentors, I began to really open up to my creativity. Over the years, I have discovered some concrete ways that help me tap into that creativity, but that doesn’t mean that I feel creative all the time and that I don’t struggle with it. I doubt my creativity and my capacity to create all the time. I know that it’s a constant struggle, but I now have the experience to know that creativity, like so many things in life, has its ebbs and flows. When I feel stuck or doubtful, I can turn to a range of strategies, techniques, and exercises that can get me unstuck and get me creating. I’ve tried to share many of those things through the classes and workshops that I teach and through my blog, podcast, and videos.

It has become my mission to help folks connect with their creativity, because after all, everyone struggles with their creativity, and we all can use a helping hand.

Slow Art in a Fast Food Insta Cart Time

 
 

I’ve been thinking a lot lately about slow art — art that takes time to develop and grow. It seems we’re in a time where “fast food art” is the norm, and art that is slow to develop — that is layered and nuanced isn’t.

We’re in a “I want it now!” culture with all of our modern conveniences and instant everything — text messages, social media, fast food, instant delivery, and so much more, it seems that we want the same from our art. We see our favorite artists posting new art everyday, and we get the feeling that art is this thing that can be whipped together and created in a flash. Fast Food Art. We see folks creating works right in front of our eyes everyday on social media, and it can seem like it takes no time at all. And we place those expectations on ourselves — the expectations that we need to produce art at a fast and furious pace and get it out there for the world to see. We don’t seem to realize that either it’s all an illusion, like time-lapse trickery, or the creators have a process or a gimmick or just plain years of practice to pull something off in a flash.

I can’t help think of Bob Ross painting an entire painting in less than 30 minutes, and how I sat mesmerized and astonished by the feat. But his on-air paintings never had the depth of the examples he made in his own time as inspiration for the show — some of which I got to view a few years ago. Though his process seemed spontaneous, he meticulously planned out each painting so that it could be completed in the allotted time.

 
 

Now I’m not bashing on Bob Ross or those Instagram artists. I even have my own YouTube series that I call Mixed Media Monday where I often crank out small mixed media pieces in less than 30 minutes, but I feel like these pieces are often lacking depth and richness. There is something to be said about slow art — art that takes time to build and develop.

Often this is work that is layered, or uses techniques that are slow and methodical, but all too often these pieces never make it into our social media worlds or they are translated into consumer pleasing posts and videos in a way that makes them seem much quicker and spontaneous than they really are. Every once in a while though, I need to remind myself that art doesn’t have to happen in a flash — that it is often a slow build or a gradual accumulation of small actions — that it is ok for artwork to take hours, days, weeks, and even months to develop and mature. I’m sure that you sometimes need that reminder as well as you create and make and struggle with something taking a long time.

Yes, we get more efficient over time as we learn and master our skills, but speed doesn’t need to be the goal. Things are not always better when they are done as quickly as they can be done. Something is often sacrificed.

I encourage you to ignore the voice that is telling you that quicker is better and to take some time and make some slow art.

A Deep Dive into Learning

At the beginning of December I embarked on a rather ambitious project — to learn and absorb as much as I can from folks that I admire, and of course it just had to be something that I had to do in my journal.

If you’ve been following along for the past couple of months, you might know that I am on a journey to bring change and transformation into my life. At that point, I had hit a wall, and I was feeling stuck and stagnant. To figure out a way forward, I had been gone down a bit of a rabbit hole with a bunch of podcasts, talks, speeches, and videos. I quickly discovered people that I hadn’t heard of before, and I became a fan of those who resonated with me.

But I began to realize that all of these folks — creative folks, entrepreneurs, business folks, and more — were all throwing out gem after gem of advice, motivation, and inspiration. And all for free! I had listened to so many different people that I knew that I couldn’t remember it all, and there was so much good stuff that I wanted to hold onto. So I decided that I needed to go back and listen to my favorites again, but this time I decided to take notes. I’m terrible at remembering anything if I don’t write it down, and creating a two-page spread in my journal really allows it to sink in as I spend time working on the pages highlighting words, emboldening phrases, adding color, and so much more. But I didn’t want to do it just for myself, and I made the decision that I wanted to share these. I devised a bit of a process and begun. Though many of these are podcast episodes and interviews, I wanted to broaden it a bit, so I looked at some of my favorite speeches and talks that I’ve watched over the years, and I dove in.

I’ve been sharing them on social media over the past month and a half, but I wanted to share a bit deeper here on the blog. I’m beginning at the beginning with the very first spread that I created about Neil Gaiman and his 2012 commencement speech.

This speech, dubbed “Make Good Art” was given at the University of the Arts in Philadelphia, and the YouTube videos have racked up more than a million views. In it, Gaiman shares the things that he wished he had known when he was starting out, as well as the one piece of advice that he failed to follow. It’s a great a speech, and if you have 20 minutes, I strongly encourage you to listen to it. Even if you’ve heard it before, I encourage you to listen to it.

One of the biggest take aways that I got from it, besides, “Make Good Art,” is the idea of looking at this journey as making your way to a mountain. If you want to be a writer, an artist, an entrepreneur, whatever, think of it as a mountain in the distance, and ask yourself a simple question. Am I moving TOWARDS or AWAY FROM the mountain? Is what you’re doing now, taking you towards the mountain, or is it moving you away from it?

It’s a sentiment that I’ve heard again and again from others, and photographer and creative entrepreneur Chase Jarvis sums it up with the idea that there is no map to your future. You just have a compass that points you in the right direction.

Are you heading in the right direction? Are you moving toward the mountain?

Check out Neil Gaiman’s speech HERE!

Bad News and Good News

 
 

This is the week that I should be getting ready to travel to western North Carolina to teach my Beyond Blank Pages class all next week at the John C. Campbell Folk School, but unfortunately, the class has been canceled due to low enrollment. I’m sure that COVID and time of year (winter in the mountains) had something to do with it, but I am pretty bummed about it. 

I loved teaching at the Folk School right before the pandemic shut everything down in March 2020, and I was looking forward to going back this time. Though I’m disappointed, I am trying to look at it from another point of view. I feel like the universe is allowing me to make space for something different — something bigger. This cancellation frees up a lot of time over the next few weeks, making space for me to contemplate, to create, and to bring something new and different into being.

I’m starting by finding a new way forward with the Beyond Blank Pages class. With the in-person class canceled, I am now free to make it into an online event and to do something that I have yet to do with any my virtual classes — take a truly deep dive online with a community of fellow creative folks. I’ve done a range of classes and workshops online, but nothing like what I am imaging for this class.

 
 

The Folk School class would have been a 6-day retreat where we delved deeply into taking a blank journal or sketchbook and turning it into a singular, visual work spending at least 6 hours a day painting, gluing, writing, making, and creating in, on, and between the pages. Many of us can’t take that kind of time away from our schedules to indulge in such an in depth experience, even if it were virtual. So, as I plan, plot, and scheme about how to bring this experience into the virtual realm, I have to approach it differently than anything else that I have done before, and I think that I have struck upon a way to do it.

I am envisioning a hybrid concept where there will be prerecorded content as well as live sessions. I don’t have all of the details worked out right now and things may change, but I’m thinking of an 8-week class where two prerecorded sessions are released each week with approximately an hour of instruction. Participants could work at their convenience for however long they feel during the week exploring the ideas shared and taking things in individual directions. There would be at least 4 live sessions scattered throughout the 8 weeks where we can come together as a creative community, share our creations, ask questions, and generally support each other.

The class would be all encompassing as it would truly explore nearly everything that I know about journaling and working in books. It’d be as if you took all of my classes and mashed them up into one big class, so we’ll explore how to take all of these ideas, materials, and techniques and bring them together into a single set of pages, and I hope that you can join me.

Though I don’t have all the little details worked out right now, I do know that the class will launch March 15th, 2022, and I’ll be opening it up for registration as early as this week if I can get everything ironed out.

But I wanted to let you all know what I was thinking about for the near future and to see if this new adventure is something you might be interested in.

Let me know what you think, and stay tuned for more info over the coming days.