Journal Friday #48: Initial Layers

It's the twelfth day of the year, and I've been able to work in my journal nearly everyday, slowly building up the accumulation of marks, actions, and fodder. It seems to be much more organic to work this way without specific themes and challenges to guide the art.

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As mentioned before, I don’t work on a single page or spread at a time. I allow the color, the shapes, and the lines to meander through pages, and I skip back and forth among several pages when I work. As a result, I have about 20 pages that have something started on them at this point. A few of those pages are bit more developed as I have built up a few more layers on them, and a few simply have a bit of collage or color on them. But slowly I've begun the initial layering process with those meager beginnings from last week by turning to some favorite materials and tried-and-true techniques. I have no idea where the pages are heading or what they will turn into, but that is part of the fun.

 
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I used one of my favorite materials this week — water-soluble pencils, and there are three types that I used, watercolor pencils, water-soluble ink pencils, and water-soluble graphite pencils. I’ve always loved to draw, so these pencils give me a lot of control, but by painting over the marks with water, I can get those painterly effects that I like so much in the journal. I typically use the pencils to create shapes and spaces on my pages, but occasionally I use them for words and writing. It’s interesting to create an initial layer for a page by doing some stream of consciousness writing with them and then wash over the writing with some water. The words soften, and some disappear completely as the pigment spreads and bleeds. I find these water-soluble pencils perfect for starting pages and for building those initial layers on top of other materials.

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I also turned to my trusty black pen to add some lines, some shapes, some textures, and some words. Everyone seems to have their go to pens, and I love the uniball Vision pens. I make certain to get the waterproof/fade-proof pens, and though they can bleed and smear a little when they come in contact with water, they are pretty steadfast, and I always have a black, blue, and red pen on me. Not only did I use the pen to draw some lines, shapes, and textures, I used the pen to take notes. Since the journal is an everything book, I often take notes in my journal as I read, take a class, or try to figure out some ideas. This week I pondered some ideas for some possible future workshops. Since I always have my journal with me, I always have the notes.

 
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Along with water-soluble pencils and ink pens, I turned to fodder, as well. Fodder is food for the journal — the collage materials that over time make the journal swell and bulge, and I dug through my stash to find some old and new fodder and spent time gluing bits and pieces to multiple pages. I don’t buy ephemera from craft stores, and I don’t scrounge second hand shops for vintage photos. I use what I come across in my day-to-day life — what’s class at hand and authentic to me. These mundane bits get endowed with so much meaning by being placed in the journal, and they become a way to document life and memories.

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Though I’ve worked quite a bit, the pages are still in the initial stages, and I’m looking forward to seeing where they go from here.

Winter Workshops

I'm super excited to be kicking off 2018 with a couple of local workshops as well as several at Art and Soul in Portland, OR. I hope that you can join me.

 
 

January and the Round Hill Arts Center
In January, I'll be teaching two local workshops at the Round Hill Arts Center in Round Hill, VA.

This Friday, January 12th, I'll be teaching an Intuitive Painting class from 6:30pm - 9:30pm. In this take on the popular paint night, we'll explore intuitive mark making, line, and color mixing as we mix and blend, play and explore with paint.

On Sunday, January 28, I'll be teaching Artful Layers from 1pm - 4pm. This mixed-media class is all about building rich layers with simple materials, like watercolor, ink, and collage. We'll explore several working methods for creating layers of meaning.

 
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February and Art and Soul
I'll be heading to Portland, OR in February to teach at Art and Soul again. I'll be offering two new classes, plus a repeat of a class from last year.

On Monday, February 12, from 6:30pm - 9:30pm, I'll teach Stencil Savvy. I taught this popular class at last year's Art and Soul in Portland and Virginia Beach, so I thought I'd do it again. This class is all about learning the basics to hand cut stencils using a heavy duty stencil film.

Tuesday, February 13, brings Monster Maker Workshop from 6:30pm - 9:30 pm. I've been joyfully creating monsters over the past few years, and I've taught this as a kids class. But I'm very excited to bring my monsters to an adult audience. We'll be focusing on drawing, painting, and collaging monsters in this evening workshop.

Finally, on Wednesday, February 14, I'll be teaching the all-day workshop Luminous Liquid Layers from 9am - 4:30pm. This class was a hit at several workshops in VA and NC last spring, and now I'm bringing it to Art and Soul. This class is all about using liquid acrylic paint to build layers using a wide variety of non-traditional techniques like rolling, scraping, stamping, and much more.

I hope that you can join me for one of these awesome workshops. If not, there's still plenty more to come. Check out the JFJ Events and Workshops page for an updated listings of all the workshops for 2018.

Journal Friday #47: Meager Beginnings

The Daily Challenge might be over, but Journal Friday continues. When I taught high school art, every Friday was Journal Friday, and all of my students worked exclusively in their journals those days. I would give them an idea, show them a technique or a new material, or share a prompt, and they would get the entire class to work and explore in their journals. So, I am continuing the notion, and every Friday, I’ll share what I’ve been up to in the journal. Along with photos of the work, I’ll share ideas, tips, and techniques. I’m thrilled to start off the New Year with a new journal.

 
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A new journal brings with it endless promises, and there’s an excitement to looking through the blank pages and pondering the possibilities.

For many people the journal is a place to make art daily or a place to document what’s around them through drawings and paintings, and often they work one page at a time from the front to the back. And there’s nothing wrong with that, but it’s never quite worked for me. For me the journal is an Everything Book where I dump everything. It’s not a place to make completed works of art, though many pages have that resolved work of art feel after enough time. It’s not just a place to document where I am and what’s around me, through observational drawing and painting, though there’s a little bit of that. It’s a place where art, ideas, images, and words all meet and create something new.

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As an Everything Book, my journal is a place to play and experiment with art materials — a place to develop my art and my ideas. But it’s also a place to document and record the happenings of my life, the places that I travel, and the things that I do. It’s a place to process thoughts and ideas — to deal with turmoil, disappointment, and doubt. It’s a place to confront my fears and dream those big, wild and crazy dreams. Everything goes in there from inspirational quotes to random thoughts, from doodles to profound mark making, from the ordinary flotsam and jetsam of everyday life to grand visions of growth and change. These things mix and mingle, merge and diverge. It’s a simple process of accumulation that has significant consequences.

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But the journal has meager beginnings. It’s just a blank book at the start, full of blank pages, but filled with so much possibility, and I don’t lock myself in to one way of working. It’s the slow accumulation of small actions that transforms the blank sketchbook into a vessel of self discovery and artistic meanderings. And it all begins with a little color, a few shapes, or some random lines, but it’s not confined to a single space or page. The color, the shapes, and the lines meander and merge on multiple pages laying a foundation and engaging the blank space. Slowly over time, sometimes weeks or months, other marks, ideas, materials, and images accumulate, and that’s where the discovery happens. There’s no preconceived notion of what a page should be or look like. It develops slowly and organically. New ideas grow. New modes of working emerge, and random juxtapositions create new meaning.

 
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That’s what is so exciting about a new journal — the discovery, the possibilities, and the unpredictability. But it all begins with little steps.

Kick Off the New Year with the Journal Fodder Junkies Daily Challenge

 
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Looking for a way to kickstart your artmaking for the new year? Did you make a resolution to make more art this year? Then the Journal Fodder Junkies Daily Challenge might be just the thing for you. This ebook series contains daily challenges to spark ideas and get you making art. The first ebook was published in August 2017, and a new part has been published each month there after. Part Six is now available.

 
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If you haven't taken advantage of this awesome series yet, the New Year is a perfect time. With six parts published now, there are enough challenges to get you through June. Check out the Shop for all six ebooks, and get creating in 2018!